From our own experience handling the Push, the controller is well-designed, sturdy, and enjoyable to use, with a detailed display and a large jog wheel for easy navigation. It also supports CV and gate signals for modular instruments. Additionally, Push features 64 expressive MPE pads with velocity and polyphonic aftertouch for expressive playing, and a built-in audio interface for recording external instruments. Max For Live devices can be loaded, and Ableton Packs can be downloaded directly to Push via wi-fi.
#KEEP CALM WALLPAPER PORTABLE#
With 250GB storage, it becomes a portable studio, equivalent to carrying a loaded laptop. It features new standalone capability, meaning you can send Live Sets from Ableton to the device, unplug, take it anywhere and send your projects back again. It can be easily upgraded, modded and updated as Ableton Live updates. The new Push, which many are calling Push 3 but is indeed simply called Push, is being heralded by Ableton as their new “timeless” controller. There’s zero setup time and you’re instantly armed to play instruments, launch clips, and use the knobs to tweak instrument and effect parameters.
The truth is, Push does such a thorough job out of the box, you need a clear reason not to use it.
Push is available bundled with any of the three versions of Live – Lite, Standard and Pro. Many pick up the Live/Push combo on day one of their musical mission. Push is the de facto controller for Live.
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